https://kyulimkim.com Kyulim Kim Tue, 29 Apr 2025 05:50:01 +0000 https://kyulimkim.com en https://kyulimkim.com/biography-1 Sun, 14 Jan 2024 16:59:05 +0000 Kyulim Kim https://kyulimkim.com/biography-1 Kyulim Kim (b.1993) is a visual artist based in Amsterdam and Seoul. Her work and research ask how spaces that are experienced and represented as fixed could be uncovered as fluid through the use of audio-visual technologies. Often, it takes place within the context of transitional and neglected spaces that arise from urban transformation and displacement. Within the practice, there has been a continuous interest in the spatiality produced through the process of relocating places, focusing on investigating the movement of matter that resists transportation or retains an inseparable connection to places. Building on this, and in an attempt to capture the invisible, more recent work has looked at the structures and processes through which images are made and lost. https://kyulimkim.com/600-Minutes Tue, 29 Apr 2025 05:50:01 +0000 Kyulim Kim https://kyulimkim.com/600-Minutes <img width="11648" height="8736" width_o="11648" height_o="8736" data-src="https://freight.cargo.site/t/original/i/0dafee0767de3164e06dae972b1e99e17b96880e2e45229d5c1d05fae54d3f99/02_low.jpg" data-mid="235220010" border="0" src="https://freight.cargo.site/w/1000/i/0dafee0767de3164e06dae972b1e99e17b96880e2e45229d5c1d05fae54d3f99/02_low.jpg" /> <img width="11629" height="8722" width_o="11629" height_o="8722" data-src="https://freight.cargo.site/t/original/i/9796d3838c1882bf344d8cde649501364948b972af8d354d5fa7ccc9c55207da/01_low.jpg" data-mid="235220009" border="0" src="https://freight.cargo.site/w/1000/i/9796d3838c1882bf344d8cde649501364948b972af8d354d5fa7ccc9c55207da/01_low.jpg" /> <img width="2910" height="2226" width_o="2910" height_o="2226" data-src="https://freight.cargo.site/t/original/i/dfa260c5c7673bc2ea63816cb34b26fbbdc0f92fa960cf5b8b0a41c4b79a9266/04.jpg" data-mid="235220012" border="0" src="https://freight.cargo.site/w/1000/i/dfa260c5c7673bc2ea63816cb34b26fbbdc0f92fa960cf5b8b0a41c4b79a9266/04.jpg" /> <img width="11620" height="8715" width_o="11620" height_o="8715" data-src="https://freight.cargo.site/t/original/i/bb9ab4630ecb806dd1dce6a3244db3b2d64eccacfe9b284a41b98fbe00065cad/05_low.jpg" data-mid="235220037" border="0" src="https://freight.cargo.site/w/1000/i/bb9ab4630ecb806dd1dce6a3244db3b2d64eccacfe9b284a41b98fbe00065cad/05_low.jpg" /> 600 Minutes, 2025, 16mm film projection on glass, LED panels, OLED TV display, Light, dimensions variable, 600 min. 600 Minutes (2025) begins with the ultra- highresolution image generated as part of the restoration of the Rembrandt painting,&nbsp;The Night Watch (1642), currently underway at the Rijksmuseum in Amsterdam. This image is the largest and most precise photograph of an artwork to date, created by combining 8,439 individual photos captured with a 100-megapixel camera and processed using AI technology. Previously examined how data gaps were addressed in the observation image of the M87 black hole, recently explores the fluid status of an image as data and infrastructure derived for precise analysis during the restoration of a painting. Alongside this, a 16mm film recorded with a stereoscopic lens, capturing the restoration process on the museum’s glass, is positioned as another layer of the ultra-high-resolution image. This juxtaposition reveals the dynamic structure of temporality surrounding the restoration of artworks. On one side, an aged 16mm film, now faded to only its magenta layer after losing yellow and cyan, serves as a reminder that analog moving image media, like painting, also possesses a processual materiality. Restoration is not merely about returning a work to its original state; it is a process of erasing the temporality of the original and reconstructing it into a new form. Through the attributes of restoration, the work investigates how images intertwine with time and how imaging techniques that capture and visualize the invisible and the disappearing transform and reconstruct the nature of images. 600 Minutes superimposes heterogeneous media and display devices in a deliberately misaligned manner, presents non-linearity of time that surrounds a mediated image. Camera, Editing: Kyulim Kim Technical Support: Eurico Sá Fernandes Sound Editing:&nbsp;Constanza Castagnet Production Assistance: Mina YeeArchive Film &amp; Equipment Support: WORM Filmwerkplaats, Esther UrlusPublic Domain Image: The Night Watch, Rembrandt van Rijn, 1642. Courtesy of the Rijksmuseum. Media and installation support: Miji Art Documentation photography: Eurock Lee Exhibition Curator: Shinjae KimExhibition view at ARKO Art Center, Seoul, Korea, 2025. https://kyulimkim.com/A-Wobbling-Shadow Wed, 09 Oct 2024 14:48:22 +0000 Kyulim Kim https://kyulimkim.com/A-Wobbling-Shadow <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2ca936cb290c4f25eea257e9bda8f53132fa601b2c9c6a42fe4acf365acb3457/.jpg" data-mid="244357019" border="0" src="https://freight.cargo.site/w/1000/i/2ca936cb290c4f25eea257e9bda8f53132fa601b2c9c6a42fe4acf365acb3457/.jpg" /> <img width="2612" height="1580" width_o="2612" height_o="1580" data-src="https://freight.cargo.site/t/original/i/557d5a511cf8cfc81d46dfc380898f37d5e2bba9e93380fa9cce701078fa8b44/-2024-11-30-18.49.28.png" data-mid="222652446" border="0" src="https://freight.cargo.site/w/1000/i/557d5a511cf8cfc81d46dfc380898f37d5e2bba9e93380fa9cce701078fa8b44/-2024-11-30-18.49.28.png" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ae04a9305f67a2dae8b23bdfdac0cbfe06572e67705b9e4554e11b7f0c7e9ae2/241212_K-Arts_L35.jpg" data-mid="224067496" border="0" src="https://freight.cargo.site/w/1000/i/ae04a9305f67a2dae8b23bdfdac0cbfe06572e67705b9e4554e11b7f0c7e9ae2/241212_K-Arts_L35.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f52ceb650c29ed5568f0f0d29008650444089c0f44a4e679d383631f1686c0ad/241212_K-Arts_L54.jpg" data-mid="224067004" border="0" src="https://freight.cargo.site/w/1000/i/f52ceb650c29ed5568f0f0d29008650444089c0f44a4e679d383631f1686c0ad/241212_K-Arts_L54.jpg" /> 2-channel video installation Super 16mm film digital scan, 2 min 30 sec 16mm film digital scan, 4 min 4 sec A Wobbling Shadow is an attempt to explore the physical limitations of a 16mm camera by capturing the moment the sun disappears below the horizon and a rotating lighthouse emitting light in a repetitive cycle, using two cameras in succession. Camera: Kyulim Kim, Sam Fuentes Editing: Kyulim Kim Media and installation support: Miji Art Documentation photography: Lim Jang Hwal, Dongwoong LeeExhibition view at Buk-Seoul Museum of Art, Idle Space, Seoul, 2024; K-Arts Space, Seoul, 2024 https://kyulimkim.com/White-Hole Thu, 21 Nov 2024 13:44:31 +0000 Kyulim Kim https://kyulimkim.com/White-Hole <img width="11528" height="8647" width_o="11528" height_o="8647" data-src="https://freight.cargo.site/t/original/i/fe5b12b36cf4b02489b095f852b0b40e13b2670e0af97cc68ff1010ccefa4e9e/low_DSF9903.jpg" data-mid="222301854" border="0" src="https://freight.cargo.site/w/1000/i/fe5b12b36cf4b02489b095f852b0b40e13b2670e0af97cc68ff1010ccefa4e9e/low_DSF9903.jpg" /> <img width="11648" height="8736" width_o="11648" height_o="8736" data-src="https://freight.cargo.site/t/original/i/8c1003ab6984d3fc2bff774ef139872cac29c36755396c7eaa14e95923617225/_DSF9909-.jpg" data-mid="222650984" border="0" src="https://freight.cargo.site/w/1000/i/8c1003ab6984d3fc2bff774ef139872cac29c36755396c7eaa14e95923617225/_DSF9909-.jpg" /> <img width="8736" height="11648" width_o="8736" height_o="11648" data-src="https://freight.cargo.site/t/original/i/f1a0232997489ee163f476e80730eeb4e4794161329ccc1188f885a64a64fd12/_DSF9894-.jpg" data-mid="222650983" border="0" src="https://freight.cargo.site/w/1000/i/f1a0232997489ee163f476e80730eeb4e4794161329ccc1188f885a64a64fd12/_DSF9894-.jpg" /> <img width="8736" height="11648" width_o="8736" height_o="11648" data-src="https://freight.cargo.site/t/original/i/95a072157be35177aa62c59c51d29b9d3a278a591f687458fc935599837c7a51/06.jpg" data-mid="224067530" border="0" src="https://freight.cargo.site/w/1000/i/95a072157be35177aa62c59c51d29b9d3a278a591f687458fc935599837c7a51/06.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e435c99d2b2fe791ea4ff53010c20bb76e977cdcc2000b596891f35a22b7e645/241212_K-Arts_L52.jpg" data-mid="224067054" border="0" src="https://freight.cargo.site/w/1000/i/e435c99d2b2fe791ea4ff53010c20bb76e977cdcc2000b596891f35a22b7e645/241212_K-Arts_L52.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7bc8d727106aa9a96a870f40608f5cf8f2ca1ee84de2bad235cde0c0cd1e90c1/241212_K-Arts_L50.jpg" data-mid="224067053" border="0" src="https://freight.cargo.site/w/1000/i/7bc8d727106aa9a96a870f40608f5cf8f2ca1ee84de2bad235cde0c0cd1e90c1/241212_K-Arts_L50.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/399f2a768f86ef80e06a894bc1ebb9b7d6877e275d039775449e7f12c9d27592/241212_K-Arts_L57.jpg" data-mid="224067057" border="0" src="https://freight.cargo.site/w/1000/i/399f2a768f86ef80e06a894bc1ebb9b7d6877e275d039775449e7f12c9d27592/241212_K-Arts_L57.jpg" /> Three 16mm projectors, a metal structure, variable dimensions Drone cache files transferred to 16mm film, projection, installation, 4 min 26 sec Digital file transferred to 16mm film,&nbsp; projection, installation, 6 min 16mm film, projection, installation, 2 min 7 sec White Hole, composed of three 16mm projectors, explores the theme of disappearance, through the choreographed movement of the camera trajectories of disappearance and emission of matter in the contexts of black and white holes. During filming, the drone fell into the water, causing the footage to be lost. The remaining cache files were then printed onto 16mm film, physically translating the loss and residual traces of the digital image. The movement of the emitted material was subsequently recreated with a digital camera and printed onto 16mm film. Simultaneously, the filming location—an abandoned mine—was captured in 16mm from a different perspective.&nbsp; Camera: Mikel Bereziartua Fernandez, Kyulim Kim Editing: Kyulim Kim Production assistance &amp; Location management: Andoni Zamora&nbsp;Txakartegi Documentation photography: Lim Jang Hwal; Dongwoong LeeExhibition view at Buk-Seoul Museum of Art, Idle Space, Seoul, 2024; K-Art Space, Seoul, 2024 https://kyulimkim.com/Receiver-Cabin Thu, 21 Nov 2024 13:54:21 +0000 Kyulim Kim https://kyulimkim.com/Receiver-Cabin <img width="8673" height="11564" width_o="8673" height_o="11564" data-src="https://freight.cargo.site/t/original/i/c452b74d921a4defe953070213c2d3f6832ea482155865e6fe57828f0b810ae8/_DSF9881.jpg" data-mid="222651307" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/c452b74d921a4defe953070213c2d3f6832ea482155865e6fe57828f0b810ae8/_DSF9881.jpg" /> <img width="8332" height="11110" width_o="8332" height_o="11110" data-src="https://freight.cargo.site/t/original/i/31031edd49962b64db9eeb2d7949a8db367ebda5d095e50bf0b93735fa116156/04c.jpg" data-mid="224068810" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/31031edd49962b64db9eeb2d7949a8db367ebda5d095e50bf0b93735fa116156/04c.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8872b4ed194307a36979ab87b70759cf200a01352356c091d411d214456ed5b2/241212_K-Arts_L43.jpg" data-mid="224067369" border="0" src="https://freight.cargo.site/w/1000/i/8872b4ed194307a36979ab87b70759cf200a01352356c091d411d214456ed5b2/241212_K-Arts_L43.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8acc770d9c9285b927811cd5c9f8430f546c8dc4ce73c52381c3f89cf2806a16/241212_K-Arts_L47.jpg" data-mid="224067371" border="0" src="https://freight.cargo.site/w/1000/i/8acc770d9c9285b927811cd5c9f8430f546c8dc4ce73c52381c3f89cf2806a16/241212_K-Arts_L47.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/63a25771c9b13cca83a73d395d58dcded86a0976331fcc656722357512e6ba67/241212_K-Arts_L53.jpg" data-mid="224067373" border="0" src="https://freight.cargo.site/w/1000/i/63a25771c9b13cca83a73d395d58dcded86a0976331fcc656722357512e6ba67/241212_K-Arts_L53.jpg" /> 2-channel video and mirror installation, 6 min Receiver Cabin films eight mixer receivers that capture and analyze electromagnetic waves. The work visualizes the pathways of electromagnetic waves as they are reflected and guided within the receivers. Additionally, certain angles that cannot be directly captured due to the space's physical limitations are made visible through placed mirrors. These mirrors, arranged alongside other works, create a composition reminiscent of the unique setup of mirrors and receivers that enables the simultaneous observation of different frequency bands. Camera: Kyulim KimEditing: Kyulim Kim Documentation photography: Lim Jang Hwal; Dongwoong LeeExhibition view at Buk-Seoul Museum of Art, Idle Space, Seoul, 2024; K-Arts Space, Seoul, 2024 https://kyulimkim.com/5-6-11 Sun, 05 Jan 2025 22:13:19 +0000 Kyulim Kim https://kyulimkim.com/5-6-11 <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/81f5d9ee23ea784827d49ea36e47b05caf59cb9539fc5add2ca08d9c93fdc4d1/241212_K-Arts_L46.jpg" data-mid="224189789" border="0" src="https://freight.cargo.site/w/1000/i/81f5d9ee23ea784827d49ea36e47b05caf59cb9539fc5add2ca08d9c93fdc4d1/241212_K-Arts_L46.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/086566a27774dd93579be620f093556cc981079aa5093aad2bcdc4f849ead71a/241212_K-Arts_L44.jpg" data-mid="224191028" border="0" src="https://freight.cargo.site/w/1000/i/086566a27774dd93579be620f093556cc981079aa5093aad2bcdc4f849ead71a/241212_K-Arts_L44.jpg" /> 3-channel audio a. Sierra Nevada, mono audio, 5 min. b. 30-meter millimeter-wave radio astronomy observatory, mono audio, 6 min. c. Old mine, mono audio, 11 min. 〈5, 6, 11〉 is a three-channel audio installation work composed of mono sounds. The 5-minute sound (a) is recorded during a visit to an observatory in the Sierra Nevada mountains in Spain. It captures footsteps and movement sounds, highlighting the physicality and mobility within the piece. The 6-minute sound (b) records the sounds produced by the operation of observation equipment within the observatory. The 11-minute sound (c) is recorded in an abandoned mine, with a structure that reverses the sound in the latter part of the work. These three sounds operate independently, accompanied by three 16mm projectors and seven screens, each functioning on its own timescale. Recording: Andrés García VidalEditing: Andrés García Vidal, Constanza Castagnet Documentation photography: Dongwoong LeeExhibition view at K-Arts Space, Seoul, 2024 https://kyulimkim.com/Interview-Excerpt Thu, 21 Nov 2024 13:56:58 +0000 Kyulim Kim https://kyulimkim.com/Interview-Excerpt <img width="11648" height="8736" width_o="11648" height_o="8736" data-src="https://freight.cargo.site/t/original/i/fc2f436fc81fa2716dd779597fb1d348d1471f5c4216131562302f00aaaed580/_DSF9637-2.jpg" data-mid="222651308" border="0" src="https://freight.cargo.site/w/1000/i/fc2f436fc81fa2716dd779597fb1d348d1471f5c4216131562302f00aaaed580/_DSF9637-2.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/5736113e661b6e586732c14b8d5704747be7a75310417c10b2e739bb69b3f072/.jpg" data-mid="224069082" border="0" src="https://freight.cargo.site/w/1000/i/5736113e661b6e586732c14b8d5704747be7a75310417c10b2e739bb69b3f072/.jpg" />Interview Exerpt, Video, 25 min Location: 30-Meter Millimeter-Wave Radio Astronomy Observatory Interviewees: Pablo Torne, Dave John, Carlos Durán, Angel Bongiovanni, Miguel Sanchez Interviewer: Kyulim Kim Filming and Editing:&nbsp;Kyulim Kim Audio Recording:&nbsp;Andrés G. Vidal Optical Telescope Astrophotography: Carlos Durán Documentation photography: Lim Jang HwalExhibition view at Buk-Seoul Museum of Art, Idle Space, Seoul, 2024 https://kyulimkim.com/Dear-Snow Sun, 14 Jan 2024 16:24:58 +0000 Kyulim Kim https://kyulimkim.com/Dear-Snow <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/e0a3dc7c3ec81591620652b9826034269199d9498a0525eeb4d3ef727b05890e/230822_DP_KlK_15.jpg" data-mid="201695337" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/e0a3dc7c3ec81591620652b9826034269199d9498a0525eeb4d3ef727b05890e/230822_DP_KlK_15.jpg" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/007d314d580c10f5e80f82c977c9137d432ddce1cb50126699a89414fa3afe52/230822_DP_KlK_17.jpg" data-mid="201695315" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/007d314d580c10f5e80f82c977c9137d432ddce1cb50126699a89414fa3afe52/230822_DP_KlK_17.jpg" /> Two channel video installation, 11’30’’ A snow depth sensor looks into empty space for extended periods of time, even when snow is absent. Through the lens of this sensor’s observation, Dear Snow poses the question: What does the camera observe during these prolonged moments when no subject is present? The exploration is delineated into two channels. The first channel concentrates on the physical movement required to detect a subject through the sensor, while the second channel focuses on the state of observation, even in the absence of a valid subject. The work looks into the physical movement and state of the Snow depth sensor itself, beyond its functional aspects. Camera: Seyoung Park, Kyulim KimEditing: Seyoung Park, Kyulim KimLocation: Seoul Weather StationDocumentation photography: Dongwoong LeeInstallation view at d/p, Seoul, 2023 https://kyulimkim.com/Dust Sun, 14 Jan 2024 16:25:37 +0000 Kyulim Kim https://kyulimkim.com/Dust <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4e070541ae67f664e3d048dc2ed0eb9c24303d5e0c625063bf734566e8709e69/230822_DP_KlK_20.jpg" data-mid="201695378" border="0" src="https://freight.cargo.site/w/1000/i/4e070541ae67f664e3d048dc2ed0eb9c24303d5e0c625063bf734566e8709e69/230822_DP_KlK_20.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c530a8668a3d3f2dcec9206e89e56fa018cb262685c1acd20b26c69803343652/0815final_01.00_02_29_09.Still001.jpg" data-mid="201695407" border="0" src="https://freight.cargo.site/w/1000/i/c530a8668a3d3f2dcec9206e89e56fa018cb262685c1acd20b26c69803343652/0815final_01.00_02_29_09.Still001.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/86a5aa37267567befefdfea515a7a6c941b67e6479357a9d5853240a58de1d9f/0815final_01.00_03_09_01.Still002.jpg" data-mid="201695382" border="0" src="https://freight.cargo.site/w/1000/i/86a5aa37267567befefdfea515a7a6c941b67e6479357a9d5853240a58de1d9f/0815final_01.00_03_09_01.Still002.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/98a41dc28e788bb99f804749c95ef8e4c4807a19ec529f6500e8ef44c8a076dd/0815final_01.00_07_27_10.Still004.jpg" data-mid="201695413" border="0" src="https://freight.cargo.site/w/1000/i/98a41dc28e788bb99f804749c95ef8e4c4807a19ec529f6500e8ef44c8a076dd/0815final_01.00_07_27_10.Still004.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8ae6f9efa457eca157d51818b87751a0b41449f3cc449edef3b2a50b5e73ec44/0815final_01.00_04_33_16.Still003.jpg" data-mid="201695409" border="0" src="https://freight.cargo.site/w/1000/i/8ae6f9efa457eca157d51818b87751a0b41449f3cc449edef3b2a50b5e73ec44/0815final_01.00_04_33_16.Still003.jpg" /> Single channel video, 11’20’’ Particulate matter scatters light and obstructs our vision, limiting what we can see whilst being invisible to the naked eye. Shot during days of high particulate matter levels, 'Dust' (2023) traces the flow of imperceptible matter through the time-lapse function of a camera. In conjunction with the sound of an almost silent field recording, stretched and amplified, ‘Dust’(2023) reveals the unheard sound of near-stillness layer by layer. Camera: Kyulim Kim Sound Recording, Editing: Mint Park Documentation photography: Dongwoong LeeExhibition view at d/p, Seoul, 2023 https://kyulimkim.com/High-Relief Sun, 14 Jan 2024 16:25:34 +0000 Kyulim Kim https://kyulimkim.com/High-Relief <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/5b0b1bca2eedc90365966060a4a4c11a8dfcbb3cbf3a035acc63d0d2fcb21e52/4.jpg" data-mid="224100411" border="0" src="https://freight.cargo.site/w/1000/i/5b0b1bca2eedc90365966060a4a4c11a8dfcbb3cbf3a035acc63d0d2fcb21e52/4.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3730cc4ff21e4a6653b412f22648fc8a233ba613a369229f9e805c806a1605fd/0815final_01.00_06_25_00.Still014.jpg" data-mid="201695494" border="0" src="https://freight.cargo.site/w/1000/i/3730cc4ff21e4a6653b412f22648fc8a233ba613a369229f9e805c806a1605fd/0815final_01.00_06_25_00.Still014.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/616715f9148dff786de8dd7bca12a2f8d382f819da71e1c4d7179647a9510762/0815final_01.00_03_56_10.Still015.jpg" data-mid="201695495" border="0" src="https://freight.cargo.site/w/1000/i/616715f9148dff786de8dd7bca12a2f8d382f819da71e1c4d7179647a9510762/0815final_01.00_03_56_10.Still015.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2ac46da550e2ef34177823357cb309c915d57dc2f6274ba09850f8ec208004a5/0815final_01.00_06_44_18.Still011.jpg" data-mid="201695486" border="0" src="https://freight.cargo.site/w/1000/i/2ac46da550e2ef34177823357cb309c915d57dc2f6274ba09850f8ec208004a5/0815final_01.00_06_44_18.Still011.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0ff5a14b665199470cd58f88ec98b892cf84b09fe9d9e7e515c93cd801cb0cc4/0815final_01.00_05_01_19.Still009.jpg" data-mid="201695428" border="0" src="https://freight.cargo.site/w/1000/i/0ff5a14b665199470cd58f88ec98b892cf84b09fe9d9e7e515c93cd801cb0cc4/0815final_01.00_05_01_19.Still009.jpg" /> Video, 2-channel audio, tactile transducers, 08’50’’in collaboration with Luis Lecea RomeraHigh, Relief, is an audio-visual essay recorded and filmed in the aftermath of the 2021 Cumbre Vieja eruption in the cemetery of Las Manchas. As the volcano calms down, tremors produced by seismic activity are occasionally difficult to differentiate from those of anthropic origin. The work approaches residual vibrations in human and mineral debris as interferences between the factual and the conjectural.Direction: Kyulim Kim, Luis LeceaCamera, Editing: Kyulim KimSound recording, Editing: Luis Lecea RomeraDocumentation photography: Nicola BarattoInstallation view at NEVERNEVERLAND, Amsterdam, 2023